pres·ence (/ˈprezəns/) – The state or fact of existing, occurring, or being present in a place or thing.

4.0 (/fôr/·/point/·/ō/) – A nod to the reverence and significance many Native communities feel for the number four, in tandem with acknowledging the technological impacts of the digital age.

presence 4.0 is centered on showcasing the ingenuity and creativity American Indian people utilize in styling themselves.  It documents our community’s participation in fashion by featuring individuals’ style and expression on the ground, off the streets, along the dirt road because it happens there every day.

presence 4.0 presents a challenge to expectations, both American Indian and non-American Indian people, have of what “Native” should look like. Noting the impressive way American Indian people integrate pieces of tribal identity as a means to say, “we are still here”, presence 4.0 is a beautiful resistance to the stereotypes and expectations society holds regarding representation of American Indian people. This blog counters the misguided representations of American Indian culture.

How can a true discussion about American Indian trends and fashion be discussed without knowing what current native peoples are wearing? presence 4.0 is a way to advocate for American Indian presence in style and fashion, but more so in the general scenes of American life.  This blog will represent a cross-section of positive depictions of American Indian people, as well as nurture our own awareness of cultural integration and evolution.

presence 4.0 is written and photographed through the viewpoints of a trio of young Navajo women, each representing a distinct experience of what it means to be American Indian today. Collectively, our view is an amalgamation of American Indian culture originating in the southwest.

presence 4.0 references the strong state of being each American Indian holds.  We write this blog as a way to explore this state of presence. We are not adopting the idea of “two world” tension but referencing the balance. In Navajo culture we reference this by the philosophy of hozhó, or the existence of harmony in our entire world. This balance as seen in the display of pride and identity.

As we explore and continue to define what presence 4.0 is, we will post street style shots taken from everyday life, style profiles, and continue showcasing the creative people we meet and see on our paths. We invite you on this journey with presence 4.0 and look forward to the dialogue this and future posts will spark.

Note: We will use American Indian, Native American, and Native as identifiers interchangeably throughout this blog because everyone identifies themselves uniquely.

Wacey’s brightly colored native design inspired sweater, set him apart from the crowd at the Navajo Nation Fair. Clearly, making the cultural context interesting. After inquiry, this sweater was found at the bottom of his grandma’s closet among the ‘old clothes’ pile. The 1990s clothing label confirmed its ‘old’ age. After much back and forth, his little sister suggested he wear it – thanks Starla!

The sweater is only a piece of the puzzle here, Wacey sticks with 2 basic colors – black and red – while allowing the orange and turquoise colors to shine through with bits of white to highlight and balance the colors. The Wayfinder-esque shades and the cap add a touch of freshness to his look.

Wacey’s stylish persona was definitely seen at the Fair with this look. Today, that still holds true. Moreover, the combination of simplicity, affordability (FREE!!) and sustainability (re-used clothing) of this look, make its presence felt.

*Please keep copyright information on photos when reusing and redistributing. Thank you!

This ensemble shined brighter than the moon on a recent crisp Flagstaff night. Ashley’s ensemble is an interesting mix of colors and textures. The shiny blazer is eye-catching as the floral printed scarf holds the attention. The variety of textures – cotton (scarf) on satin (blazer) on silk (top) – and accessories – cap, scarf, watch, and necklace – create versatility for this outfit.

The eclectic pairings allowed Ashley to nix the scarf and hat for a nice dinner with the family, leaning on the pearl necklace for a touch of class. Two hours later..she added the scarf and the hat for a look that allows her presence to exude amongst a night out with friends.

Ashley says she is constantly inspired by those around her – family, friends, people on the street, in the community, etc. Most notably, the placement of the scarf was inspired by her friend 4+ years ago. Coincidentally, the location of that scarf inspiration was just down the street of this photo capture.

Affordability is both a constraint and welcomed challenge for Ashley’s style. “Thank goodness for thrift stores and gifts” she says, in her $3 peach top from Savers, $7 jeans from Old Navy, and gifted hat, watch, and blazer.

*Please keep copyright information on photos when reusing and redistributing. Thank you!

What a good visit home for the holidays! Just as good was the moment when Hannah was spotted at Dilkon-Bashas’ wearing this beautiful color coordinated outfit centered around her purse. This brief encounter revealed that it was her birthday: “Happy Birthday!” Hannah dressed the part of a birthday girl and added a birthday outfit essential- sparkle! The cute bow belt added just enough shine to this interesting mix of femininity and masculinity. The biker jacket and chain purse straps provide an edge to the sheer fabric of the skirt, top, and leggings.

Coincidentally, the second photo captures two unique style interpretations. Both of a skirt worn by two Navajo ladies from different generations. In the background is an elderly Navajo woman wearing a “traditional Navajo” skirt. A skirt adapted by Navajo after much interaction with Spanish settlers and fabric sold by Anglo traders after the mid-1800s in the Southwest. The “traditional” skirt definitely compliments the modern piece that Hannah has on. Both Navajo ladies are wearing the same color skirts and jackets but different cuts and fabric. It is a nizhoni (“beautiful”) sight that speaks to an acceptance of new styles and continuance of older ones.

Hannah says she aims for comfort in whatever she wears and keeps up with the latest trends via several style/fashion blogs. The work has paid off as she is now featured on our pioneering blog!

Personal side note: Through this photo capture, I met three fellow community members. My community social fabric is strengthening because of presence 4.0, that is pretty amazing if you ask me! – CC

*Please see the ABOUT section regarding copyright guidelines when reusing and redistributing photos.

Mr.Mrvl – urban tribe XFRX          (Chief Roxx/Chief Rockers)

It was just a matter of time before Mr.Mrvl made his way to presence 4.0! This Albuquerque native is pretty well known for his unique sense of style and is no stranger to being recognized for his style of dress.

PAST: flashback to 2009..7th Annual Breakin’ Hearts event (“one of the largest Hip-Hop events in the Southwest”), Mr.Mrvl was recognized as being the “Freshest Dressed” in a theater full of very stylish bgirls, bboys, DJs, graf artists, MCs, and Hip-Hop heads.

PRESENT: Still today, he is freshly styled in this texture rich, neutral toned, superbly layered wardrobe. His style is a reflection of his diverse taste in music and his artistry as a DJ and dancer. This ensemble in particular is an interpretation of his love for Hip-Hop. The acid washed jeans, thick gold chain, Nike High Tops, and Kangol-esque hat are reminiscent of the early days of Hip-Hop in the 80s, of which “the classic, old school bboy look” is Mr.Mrvl’s biggest inspiration. The sweater and vest add a touch of modern flavor. His love of Hip-Hop is also heard in his DJ’d sets and seen in his movements as a bboy.

Mr.Mrvl also attributes inspiration to his hometown and shares this local secret: “my favorite place in Burque is the Indian School ditch. Miles and miles of Sonic the Hedgehog like fun on your choice of wheels. My weapon of choice is a skateboard but a bike or blades are doable too. Just remember to wear a helmet.”

Mr.Mrvl – traditional tribe Pueblo of Santa Clara, San Juan, Laguna, & Isleta

FUTURE: Mr.Mrvl is further acknowledged as a style inspiration in the Albuquerque area by being selected to judge the upcoming “Freshest Dressed in the House” competition at this year’s 11th Annual Breakin’ Hearts event (see http://www.facebook.com/events/517112831646880/ for more information about this amazing event).

*Refer to copyright information in the ABOUT section.

Tahnee loves to explore different styles. Her foray into different and new genres of music every two years is a large motivator to how she chooses to express herself. Rockabilly shows were a big initial influence, music and style-wise. The outfits she would choose for the shows, eventually, found their place in her everyday dress. Details of the pin-up style grew to include corsets and PVC clothing, which is associated with retro, goth, and alternative looks. But don’t confuse her style with “gothic” or “emo,” rather, she laughed calling it, “sophisticated emo.” Basically, she “likes clothing that complements [her] style and body structure.”

When she became engaged to her now-husband, Ben, she knew black would be part of her wedding dress. The couple, with respect to their families, agreed on one aspect: They wanted a different style of wedding that wasn’t normal by mainstream or Navajo preferences. She adds, it is not that she did not want to have a traditional Navajo wedding; she is traditional in other ways. Simply, they “chose to do this [type of] wedding more for the both of [them].” It represented them, especially their style. This is very apparent in the behind-the-scene wedding photos presented here.

She found much of her Victorian-goth inspiration from online photos since she didn’t want to wear white or anything deemed traditional. Etsy was the answer. Each piece of her wedding outfit was sourced from a different company. The corset and skirt were handmade; the corset traveled from Germany. Her necklace and octopus hairpiece also came from Etsy. The shoes were from EBay and the only item that was not from Etsy. The end result is the unique blend of detailed sewing and black lacing – gorgeous and perfect.

At the end of our conversation, she reveals when she is visiting her hometown of Window Rock, AZ, she will wear jeans and a t-shirt with gold skeleton socks. Interestingly, she is not a skull nor a skeleton fanatic despite gifts from friends.

Curiosity about the skeleton socks led to a question about her cultural understanding of the Navajo taboo of death, and more specifically, its association with skeletons. She answered that growing up, her mother and father did not overemphasize this taboo. Here are Tahnee’s words: “My mother said not to be around skulls without going into too much detail. My parents didn’t really discuss too much of the traditions and taboos [with me]. If I were to see a real skull or skeleton in real life, I’d freak out and I would know not to touch it. But on clothing, I’m not affected as opposed to others who are more traditionally-minded. [The use of skeletons as a design] is pretty much everywhere now.” To her, it is a symbol that she is true to herself and quite comfortable being different.

Tahnee’s candid remarks are shared with some Natives of the same generation. Our cultural differences are laid on the foundation of our personal experiences, our families and their own experiences with society- no one’s story is entirely right or wrong. In the end, Tahnee married someone who completes her sense of style, morals, and ethics. And, that type of love is remarkable.

Congratulations, Tahnee and Ben!! -presence 4.0

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There were many events that surrounded the Heard Market in March. The captures below depict some of the extraordinary creativity found during the weekend’s festivities. Each comes with personal stories, adding to the value of the outfits.

Cameron got his foulard (aka scarf) from his great grandmother, and now doubles it as a belt. JT Willie’s handcrafted necklace is made of dimes. A tribute to the materials used by Navajo silversmiths when silver wasn’t available, usually from soldiers’ coins and jacket buttons. Melissa Barnes custom builds hats from scratch, including painting and beading them. Ernie’s one-of-a-kind gift from a friend, makes it impossible for him to even think of selling his Blue Bird vest. Even though he has been made an offer many a times. And, Shawn learned to push the envelope with his style while taking pride in who he is from his father and grandfather – his father would press his pants daily and his grandfather would wear white jeans on the rez. Also influencing Shawn’s meticulous and clean cut nature.

This week marks the 92nd annual Santa Fe Indian Market the week. It’s filled with creative expression from film to visual arts to music to dance. Hosted by the Southwest American Indian Arts Association (SWAIA) the festival is a mainstay in the American Indian art scene bringing thousands of people to New Mexico to celebrate the arts.

Due to its unique position and with the convergence of many power playing American Indians from all backgrounds, the women of P4 wanted to create an opportunity for people to come together and converse about the power of creativity.

Join us Friday, August 16, 2013, 4-6pm at El Paseo Bar & Grill for the inaugural presence 4.0 STYLE MIXER. Our goal is to provide a platform for creating new connections and forming potential collaborations. This event will mark our second public event and we are excited to see our friends, collaborators and meet new people.

We would like to give a special thanks to our partners DJ Cloudface, Victor Pascual owner DGTL/NVJO and El Paseo Bar & Grill for hosting the event.

We extend a friendly reminder to DRESS TO INSPIRE and ATTEND TO MINGLE.

Andrea rocks her classic style with tough girl accents – denim vest, bracelets and fabric post earrings designed by herself.

presence 4.0 Style Mixer will bring together the artistic, stylish and dynamic including our featured creative. August 16, 2013 in Santa Fe, NM at El Paseo Bar & Grill. More here.  This post is part of the CREATIVES series.

“My grandma calls my style, ‘a quiet kind of loud,’” says Andrea Preston with a bubbly laugh. Over our conversation it is evident Preston’s grandma is correct, it is the perfect description for both her work and her style. We talk in her North Phoenix studio a new setup she is fond of as it is a full room in her home where she is able to spread out and take on her many projects. Her work table is filled with beads in a rainbow of colors and they shimmer under the light of her work lamp.

A non-profit professional by day Preston’s passion is felt whether she’s talking about her efforts in eliminating homelessness or a new interest she is taking on in styling clothes found on her many thrifting adventures. It is apparent Andrea creates not just because she loves it but because she needs to. When asked about her personal style she begins to describe her art, illustrating just how interchangeable the two are – “(it’s) very colorful, geometric with attention to detail in almost an OCD-manner.”

A self-taught artist, Preston’s work includes intricately beaded earrings and hand painted graphic earrings both found in technicolor shades of the rainbow. “I think my pieces are very versatile and I make them knowing they can be dressed up or down…in all, my work is everything at once.”

This dynamic quality is one which relates as much to Andrea’s background as it does to her style. Navajo, Preston grew up on the reservation in the community of Tuba City until she was 8 years old at which point her family moved to the town of Flagstaff. It was here where she was impacted by different cultures including the world of graffiti, street art and hip hop. Influences evident in her work.  But even in the midst of city life, Andrea “always carried home with me.” She was still raised Navajo.

Preston is adamant to note her work is made with precision, she wants her pieces to last and is continuously inspired by the way her customers style her pieces. Noting, “Native people have always been stylish people…we’ve used what was available to us.” This is key to Preston as she notes the difference between fashion and style. “Style is using what you have and sometimes it is fashionable but it’s all relative and they often transition into one another.”

Andrea’s demeanor whenever she is interacting with people whether at a gallery opening, a student workshop or with her customers is continuously positive. She is genuine and understands how her wearable art is a direct representation of herself and Preston accepts the challenge as she is pushed by a continuous need to create.  “I initially began this work because I wanted pieces for myself,” of course as all great things evolve Preston’s success indicates her vision to make pieces has become greater than herself.

Andrea’s style hinges on balance. She is cognizant of the ratio of loud incorporating “classis prints” as in hounds tooth, stripes with bursts of color in her blouses and she is inspired every time she goes thrifting as she loves to style outfits using a balance of hip hop flavor and her modest tendencies. Noting, “It isn’t important to me to show a lot of skin. I don’t do that to get attention. To me my style is part of how I want to carry myself – it is being a part of a greater community and shows how I was raised and taught…I’m a Navajo woman all the time, I don’t leave it behind when I leave my house…it is with me. And yet at the same time, I realize and am excited by the fact I am never going to be just one thing.”

In paint session clothes, on-site Thomas “Breeze” Marcus in his Salt River community.

presence 4.0 Style Mixer will bring together the artistic, stylish and dynamic including our featured creative. August 16, 2013 in Santa Fe, NM at El Paseo Bar & Grill. More here.  This post is part of the CREATIVES series.

“The ability to create is a universal skill, need,” shares Thomas “Breeze” Marcus. He describes the power of art to transcend boundaries of the present time and place. Art “is the highest form of language and it challenges people to decipher its layers…it challenges to be questioned.” It also connects us.

Marcus is dressed in jeans and a t-shirt featuring the work of Apache Skateboards owner/creative and friend Doug Miles. Marcus’s hair is wrapped by plain black bandana, concealing his long hair wrapped tightly underneath.

Marcus calls his style unassuming, “I don’t have a pair of jeans or shoes without paint on them…It’s not something I obsess about,” noting quickly, “but I am select about what I support and really try to avoid wearing labels. It’s simple – I dress and feel I can move from museums to freight (train) to do my work.”

Marcus notes the difference between style and fashion is the latter is “more temporary, short lived. Style is more permanent…something that stays the course of a lifetime.” As the interview in a Phoenix restaurant continues, he cautions even style can be bad as it creates a “pigeon-hole and crystallization.”

The concept of crystallization is a reoccurring theme in the conversation. Thomas’s background, artwork and style oppose this idea of crystallization because it would hinder the freedom to adapt. “We are surrounded by beauty and chaos so we need to think beyond boundaries…even when the boundary is a canvas.”

A multi-media artist, Marcus’s life as a teen in the Phoenix’s streets showed him the world of graffiti but “people don’t realize my line work isn’t just from graffiti, it comes from being O’odham too.”  He is a student of the world with an interest in the eastern philosophies of Lao Tzu and Confucius.

Growing up between his community of Salt River and Phoenix neighborhoods, Marcus was “always surrounded by people from different backgrounds.” Part Tohono O’odham, Akimel O’otham, Ponca, Otoe and Hopi, he reflects a true understanding of power of interconnectivity between all people and cultures. His collaborations have included some of the most talented people in Phoenix, the southwest and across the country.

Marcus is skilled at surveying the scene, taking in the moment and determining what he needs to be – who he needs to be. Having just wrapped a 12-week art class is partnership with co-teacher Dwayne Manuel in Salt River, he taught a class of twelve students who learned the history of art including graffiti. The students were able to paint and eventually put their skills to use in their final paint session creating an epic mural (pictured above) in their community.

“Being a teacher you have to quickly figure out what a student wants from you and how you can help.” This passion to teach and give back runs deep. Talking about the Hethuska-Warrrior Society in Ponca culture, “Every culture is a warrior society – we should be. It means to keep things close, to take care of our families and children, to be honorable…but you can be honorable and still be a fighter.”

Thomas “Breeze” Marcus will be featured in a show at Blue Rain Gallery. Opening artist reception Wednesday, August 14, 2013, 5-8pm. More here.

Check out Marcus’s blog.

Cover Image (above): Photo: Levi Blackwolf of Wolfn Photographies. From left to right: Mekah Abbey, Charlie Cuny, Bah-he-toya-mah Davenport, Jacquelyn Jesus, Sharmarine Light, ShawnMarie Manheimer, Sarah Ortegon, Aysha Sam, Amanda Teller, Shelby Willams.

The style ranged from gowns sparkling under the Tempe Center for the Arts lights to beautiful handmade outfits set against a glittering photo booth backdrop. The photos (below) illustrate style is innate while highlighting the ever-adapting fashion sense of Natives in the American Southwest.

Some pieces seem playful- like the black and white sweeping dress with a thin red belt or an off-shoulder embroidered dress (worn by the 2012-2013 1^st Attendant and her sister, the former). Spectators are dressed up in jeans and a top draped with turquoise jewelry. In one image, a trio of ladies wherein one is showing her love for Bruno Mars and fedoras. Another capture shows two guys effortlessly demonstrating a cool and simple style. The Miss Native American USA Pageant allowed for a procession of creativity and style between contestants and audience members.

Lastly, congratulations to Sarah Ortegon of the Eastern Shoshone and Northern Arapaho from Denver. She was crowned 2013-2014 Miss Native American USA!

MNAUSA’s Mission

Our Mission is dedicated to recognizing and honoring Native American women throughout the US . We encourage Indigenous women in achieving their personal goals, build characters, enhance self-esteem, and develop leadership skills alongside giving back to our Native communities through volunteering.

Pageant Director/Owner of MNAUSA Organization is Tashina Atine, a member of the Diné (Navajo) Nation originally from Provo, Utah. Atine, currently resides in Phoenix, Arizona and her passion has always been creating a strong relationship with community agencies on a city and national levels. Promoting and encouraging young Native American females to do the same has been her mission for the Miss Native American, USA Pageant.

Website: http://www.missnativeamericanusapageant.com/index.html

Presence 4.0 has been around the “Native style” block for a year now! One of the ways we commemorated our inaugural year was to have a Presence 4.0 event during the week of the 2013 Santa Fe Indian Market. The renown Native art event birthed the idea of Presence 4.0 in 2012! Below, you’ll see the first Style Mixer of Presence 4.0. As always, we place the focus on you and your style. Cheers and enjoy!

Thank you to the following people for their presence and assistance!

Matt, owner of El Paseo in downtown Santa Fe, NM

Victor Pascual, of DGTL NVJO Graphic Designs

Patrick Cloudface Burnham, DJ of our event

*Refer to copyright information in the ABOUT section.

In mid-August, three Askzaa Dine (Navajo ladies), that is the ladies of Presence 4.0, were let loose during the Southwestern Association for Indian Arts (SWAIA) 2013 Santa Fe Indian Market (SFIM). This major Native arts event attracts thousands of tourists, artists, creatives, entrepreneurs, lovers and likers of Natives & Native art from all over the country. Check it out if you’ve not yet experienced it!  It is an ever-changing event much like Native style.

*Refer to copyright information in the ABOUT section.

It is the end of the 2013 Navajo Fairs season, plural on the word “Fair.” The season begins in early September and ends in mid-October. Guaranteed rides and guaranteed frybread! They occur in this order: Eastern Agency, in Crownpoint, NM; Central Agency, in Chinle, AZ; Fort Defiance Agency, in Window Rock, AZ; Utah Navajo communities, in Bluff, UT; Northern Agency, in Shiprock, NM; and, Western Agency, in Tuba City, AZ.

It had been years since I last attended a Navajo Fair. The 2005, or 2006, Shiprock Fair was a mix of dusty carnival lines and late night Yei-be-chei dances. While I don’t remember the correct year, it was a memorable time. So, this year I decided to attend the Fort Defiance Agency Fair in Window Rock. This fair is known for its parade so I had to wake super early. I knew people camp out along the main road stretching from Window Rock to St. Micheals; this ensures a good spot to view the parade and to grab candy. This stretch of road also provides a great opportunity for people watching and taking photos.

I had the opportunity to meet two groups of people who exuded picture perfect style along the parade route. First, I met Daryl, Rosina, and Alfina, all originally from Pinon, AZ, but they currently live in Phoenix. Rosina’s sassy orange “I <3 Haters” socks with black and white emsemble caught my eye. Later, Jeremy and Dierdre’s son Deron holding a floral umbrella was enough to make me stop and take notice of their cute family. Upon closer inspection, I saw Deirdre’s Marco Arviso silver stamp and abalone shell earrings. Check their shots below-

Later in the day, I ran into Dan, Kevin and Jessica, and Alexandra. Dan exuded a chill demeanor with his vintage Daily Flash t-shirt. (I love the closer shot of him with other Fair-goers behind him, check it out below.) Kevin and Jessica were an adorable couple as you can see. I approached them after seeing her overall casual, cool outfit (check the rhinestone giraffe pendant necklace). Jessica’s bag reminded me of the familiar geometric designs of Navajo rugs also seen on Alexandra’s shoulder. Speaking of Alexandra, she had a classic black outfit accented with subtle turquoise earrings and a floral bandanna. Simply beautiful! 

The full day and night spent at the Fair brought out a plethora of interesting people and fun conversations. I had my fair share of family, social media acquaintances, and old buddy run-ins; it was amazing. That mutton frybread with green chili was delicious!  I felt my attendance at the Window Rock Navajo Nation Fair was an experience to be had, from the carnival rides to the cultural events like the Miss Navajo Pageant. And, this was only one Fair of many Navajo Fairs?! I’m pulling up my sleeves for next year and, now, I have a goal to attend three Fairs for 2014. I’m thinking Fort Defiance, Northern and Western Fairs. What do you think?

*Refer to copyright information in the ABOUT section.

Presence 4.0 is delighted to share the details of a new venture in partnership with Beyond Buckskin Boutique.  Owner Jessica Metcalfe shared an opportunity for us P4 ladies to “shop” BBB and create looks for followers of both our blogs and supporters of the Boutique. Specified items that we show on presence 4.0 will be available for sale. It is a perfect fusion of two style and fashion entities who want to promote the importance of creating current and contemporary views of American Indians while supporting Native made creativity. As part of an ongoing project, you will see the P4 ladies’ style themselves and other people. Visit http://shop.beyondbuckskin.com/category/p4-x-bbb for more on how to obtain our stylish looks. 

To start off this exciting endeavor, we decided to create a look that incorporated our moccasins for “Rock Your Mocs” Day (November 15th). Each P4 gal wrote about their inspiration for their look below.

Chelsea:

My moccasins are possibly the most versatile thing in my closet, I wear them at least once a week! I can dress them up and down, wear them to a business meeting or out dancing. I heart them.

Here, I paired them with a black and white Natural Sea Monster Tunic Dress designed by Alano Edzerza via BBB because it provided a simple (in its color scale) yet complex (in its design) foundation. I also winterized this outfit with a white scarf and black leggings. In keeping with the color scale, I chose Kristen Dorsey’s black Loksi Leather Wrap Bracelet by way of BBB, a couple of thin silver bracelets, and plain black studs to accessorize my look. Add on the red lips and I am good to go!

Nanibaa:

For the launch of our collaboration with Beyond Buckskin Boutique, I had a fun decision to make: Do I choose the red moccasins with buckskin wraps or the soft black leather mocs? The decision would be fun and tough, as in, clothes-all-over-my-bed tough. But the process of pairing the mocs to my outfits brought a smile to my face. I love that familiar leather smell! Memories of ceremonies and coming-of-age events happily flooded my mind.

So, I settled on my favorite shorts and comfy top to pair with the black mocs for this outfit. This Phoenix morning was a cool 60 degrees at sunrise, but soon it rose to a warmer temperature that didn’t require a sweater. One aspect I do require with my outfit is jewelry; more specifically my Native-made and vintage rings which I chose to pair with BBB’s Kristen Dorsey’s Blood Quantum earrings. I chose the BQ earrings because it is a “conversation starter” (especially with my younger family members) and I admire the artistic insight. The earrings, also, remind me of my nephew- his father is biligaana from Connecticut but he definitely owns his Native awesomeness. Pretty amazing what an outfit of Native-made items can bring about. I’m looking forward to more moments like this with our P4 x BBB collaboration. We hope you enjoy too! <3

Jaclyn:

I classify my style as “sophisticated kindergartner” meaning there is some element of sparkly – tactile goodness incorporated into it. I curated this look with the idea of moving from work to evening fun. I love getting ready for the day (or night). My base for the look is one of my fave LBDs (little black dresses). The Mea B’fly earrings I am wearing are PINK, my favorite color and which allow me to incessantly share how much I love my lady crush MaRia Bird, the artist/creator of the piece. Arm candy is a near daily-must and I love rocking my Kristen Dorsey Loksi bracelet, paired with the fun David Sloan Diné Bizaad bandanna, the look is nothing to be messed with.

I am a firm believer of downsizing when moving from work to night and this can only be achieved by carry a fierce clutch. This nude beauty is one scored in the vintage district here in Phoenix. It is fun to finish the look with the same wrap-around moccasins I wore during my Kinaalda ceremony. They were made by my late Nalí and in some places you can still see the ałkaan (Navajo cake) on them. They are a beautiful reminder of my connection to my family. I am so excited to share my next style outfit and thank Jessica for her willingness to work with us presence 4.0 ladies on this project.

Charly Edsitty loves getting ready in the morning. Building an outfit is an act she relishes. “I don’t want to call it a gift (laughs) but it is fun! There is no right or wrong and an outfit is open to interpretation.” Edsitty’s describes her style as work appropriate-classy with an “element of surprise”.

We met at Songbird Coffee & Tea on Roosevelt Row in Downtown Phoenix. Charly orders a white mocha with a dollop of whip cream, her bubbly personality is engaging company. Bedecked in a feminine stripped dress with a blazer and neon green belt, Edsitty’s outfit makes the work to evening transition seamlessly.

Navajo and originally from Teec Nos Pos, Arizona, Edsitty grew up in Glendale, Arizona and attended Baylor University in Texas. She’s lived in New York City and Washington D.C. where she was part of the White House Internship program. It was in the concrete jungle of both areas where she mastered her ability to incorporate her Navajoness into her daily outfit. “Mostly because I would get tired of people thinking I was from another community. So I would always have my turquoise ring or other jewelry on. Which helped start conversations, it was a bonus!”

Much like her experiences Charly’s style is reflective of someone with a keen sense of what is trendy coupled with what works for her. Defining style as one’s “unique spin on fashion”.  She notes both Jaqueline Kennedy and Marilyn Monroe as style icons but equally notes her Grandma’s ability to dress simply with the power to command attention, a conglomerate definitively American.

The many “tools” which keep Charly running strong. From her light rail passe, static guard, gum, a good pen & paper, touch-up makeup and her clever Betsy Johnson zipper pouches, this lady runs a glam life and is prepared for it all.

Currently the Multimedia Journalist and Producer for 12 News Today Morning Show, Charly maintains a heavy schedule which requires her to be as connected as possible starting in the early morning hours. “I love my job, I get to be creative through a variety of mediums,” explains Edsitty. “I can choose how I decide to run with a story and I am constantly looking at others and how they do their jobs in various formats from magazines, blogs and the news.”

Whether in her job while covering a story or putting together an outfit Charly notes “it’s all about being confident and commanding attention and rocking it.” Edsitty’s vivacious persona never wanes during our conversation, when asked what final thoughts on style she’d like to share she notes, “Be happy with what you wear as it is an extension of your personality…and the more sparkles the better.”

The Creatives Series highlights the many creative people representing hot style and insane skills in their respective fields. Why not be a stylish nurse or a dapper lawyer? Creativity sustains us all.

Left to right: Chelsea Chee, Nanibaa Beck and Jaclyn Roessel

presence 4.0 was born a year ago today. It has provided us an opportunity to meet so many wonderfully gifted individuals and given us the chance to share the style of American Indian people today. All of these meet-ups have fueled the work each of us (co-founders) pursues in our daily lives.

We are thankful to you, our many supporters, for being a part of the journey with us. Enjoy this opportunity to get to know us a little more and look forward to more…we’re only getting started.

How did you all meet?

JR: I met Nanibaa during our undergrad years at Arizona State University. Initially, at a fry bread sale, not sure if she remembers it. But we didn’t start being friends until we were involved in the same American Indian student organizations a year or so later. That was back in the early 2000s.  I met Chelsea at Santa Fe Indian Market last year through Nani and loved her immediately.

CC: I can’t remember when I met Nanibaa but it’s been years. 2012 rekindled our friendship and introduced me to Jaclyn. Thank you 2012 for bringing these two wonderful ladies into my life and starting this new journey with them.

NB: I met Jaclyn at ASU but our paths were meant to cross at some point. We have mutual love for Native arts and culture and our immediate families knew one another. And, I have mutual friends with Chelsea but fate wanted us to meet again. I love the ebb and flow of what life presents to us.

What has been your favorite P4 moment this year?

JR: Our first public event in partnership with Beyond Buckskin Boutique was amazing. It was remarkable so many people wanted to take part in our fashion show. Planning events for a living, my worst fear is no one will come …so having 200 people attend blew my mind!

CC: When I shot a photo of the first street profile (Wacey), I instantly felt a spark of excitement for what was to come and I knew he was the person and photo meant to be P4′s first feature.

NB: When our blog went live one year ago. It was an simple and fun concept conceived over delicious New Mexican food. Then our multiple phone conversations became a tangible project to connect various types of Native people.

 Who are your style icons?

JR: Audrey Hepburn and Jacqueline Kennedy are my guide posts. Though my style is more playful, I love the lady-like classicism of their looks. Dresses are practically my uniform and they both knew how to rock a dress.

CC: I love Coco Chanel, she was a force to be reckoned with. She pushed boundaries and had amazing style – simple yet complex.

NB:I don’t have style icons, per se. The purpose of style for me is to enhance me on that particular day. At the moment, I do enjoy the effortless and classic styles of Audrey Tautou and the Olsen Twins. But Iris Apfel has a totally unique approach to layering her jewelry that I adore.

P4 has partnered with Beyond Buckskin Boutique recently, which pieces do you wish you could take home if money was no object?

JR: I am lusting after the White Crossbody Bag by Jamie Okuma. It is a serious accessory. I would take it with me on my business lunch dates and out to dinner. Nobody would dare mess with me!

CC: The second I saw Kristen Dorsey’s Diamond Barnacle Necklace with black diamonds, multiple outfits flashed through my my mind. I’d say that’s a good sign!

NB: This is a hard question. I lust after an outfit made by Bethany Yellowhair and anything made by the Gaussoin family. At present, my eye is on Kristen Dorsey’s Spiral Gorget. I imagine the way the necklace would float on my neck. It looks that dreamy.

 Which stylish Native would be your dream style profile?

JR: I would love to highlight my three Masanís (maternal grandmothers) in a feature…they make me who I am but they are also very camera shy. Making it a feat to pull this off.

CC: Everyone!

NB: Female Native jewelers. They create such amazing pieces but have a beautiful awareness to the differences of between fashion, style, artist life and the art market from which it is all nurtured.

Where do you think P4 will be in four years?

JR: I think having a team which covers different parts of the country would be an excellent expansion of what we do. But in all, I think as long as we are still having fun and meeting new creative people, I’ll be happy.

CC: A worldwide team, there are Indigenous peoples everywhere! Haha, just kidding. Whatever it is, as long as we are having fun and enjoying what we do is all I ask.

NB: In terms of activities that will be taking place in the future, participating in blogger events with other style bloggers, Native and non-native -as a way to connect our endeavor with a larger community. As long as we have fun, that’s imperative to a lasting relationship of any kind.

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Eclectic is defined as “a person who derives ideas, style, or taste from a broad and diverse range of sources”, according to the Oxford Dictionary.  If you look a little closer, you may see a photo of Chee next to this word.  If not, the dictionary people can ask presence 4.0 for photos.

At first introduction, Chee’s eclectic nature is outwardly displayed with his attire.  Words like scholarly, western, sporty, preppy, casual, (to name but a few) try to describe his style but none of them work individually.  It is a mixture of it all, and some.

The blue toned layered shirt, cardigan, and blazer create a modern casual feel and provide a great foundation for the accessories.  The beautifully crafted leather brown belt adds just enough western flair to make this outfit fascinating.  The circular wire-rimmed glasses feel like they could be from some older time, yet Chee wears them in a modern way.  Most surprising is how the running shoes simultaneously add a twist to and compliment the ensemble.

Chee, a poet and journalist, describes his style as “a mix of old school Navajo meets contemporary eclectic.”  We chatted about a diverse sort of topics – social justice, running, journalism, rez basketball tournaments, tribal governance, and of course, style.

Chee’s style is influence by a multitude of sources.  He finds inspiration off the street, from style blogs, in magazines, places he has lived, and from older people on the rez.  The gold mine though are “old pictures of Navajos” says Chee.  The time spent dialoging uncovered more of his style details: the grey striped accents on the blazer, the grey detailing and different fabric underneath the collar, a multicolored paisley scarf, and a thin silver necklace.

A second meet up further demonstrated Chee’s style and his word smithing abilities.  Check out a collection of his poems featured by Taos Journal of Art & Poetry.

• All My Life I Have Been Alone
  
• Carson City, 1957
  
• Necklace
• The Steer

Today, there are different approaches to style and trends but we can’t help be influenced by people close to us. Growing up, I had to wear anything my older sister wore. Our 14-month age difference made it easy for us to share clothes and shoes. If she chose to wear her pink jellies (shoes), I wore my equally adorable pair. We were 5 and 6, at the time. But, of course, my style is distinctly mine.

Shey and Lia

This memory came to mind when I approached sisters, Shey and Lia, with their mom at the Litchfield Native American Fine Art show over the weekend. Naturally, these Hopi/ Mohave girls didn’t know how to describe their style and settled on “edgy” and “casual.” They are teenagers, one is in middle school and the other in high school.

Shey’s blue hair streaks, ear cuff and woven hand bag were indicators of a young lady growing into a fun, edgy style. Then, there was Lia’s obvious penchant for Batman and Marvel comics. As it turns out both girls had a lot to say about comics. They preferred Marvel superhero shirts over DC comic superheroes. They don’t relate to the “super” powers of Wonder Woman and Superman, but prefer the heroes that “learn stuff” and are “more smart.” One of the girls remarked, “Spiderman is a kid who goes to school.” Well said, ladies!

It was wonderful hearing their perspective. Later, I met their father (shown in the photo below) and their older brother. Both men were showing their wood carvings that weekend. And, it was the brother who introduced the girls to the politics of superheroes and has become someone who has influenced their style.